Jamais personne n’a perdu un chat
of Leaves was about a movie.
is a movie. The Familiar is a TV show?
All men are islands, influenced by the wind.
I fear I might not last the distance...
“I don’t think that people accept the fact that life doesn’t make sense. I think it makes people terribly uncomfortable. It seems like religion and myth were invented against that, trying to make sense out of it.” - David Lynch
Also, did anyone notice in the article, the summary is that it's about a girl who saves a cat? Is this new information, or do you think the writer of the article was just getting a little ahead of himself?
I imagine the 1MM was paid to MZD, and of course a nice slice to his agent, WF. Sorry, wrong agent - should read JRW of WME.
Last edited by kaseycarpenter; 11-23-2011 at 08:15 AM. Reason: errant use of non-factual acronym
Hold on everybody. Let me get the mat out first.
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When I tried
To step aside
I moved to where they hoped I'd be
Damn. That's what we get for encouraging him by talking about his other books for so long. This is all our fault, really.
p.s. The first comment under the article is kind of ironically amusing.
Just crunching a few page numbers.
If each volume is 50 pages, the entire thing will be 1350 pages.
100 pages per volume, 2700 pages total.
Considering how much work and effort he puts into every page, the timeline for release is really no surprise.
All men are islands, influenced by the wind.
50 pages? This seems rather short. But then again, it depends on what is on each page.

It would also be nice to be able to find this shit on our own instead of having it spoonfed to us. It's not like we have much to do around here lately anyway.
Speaking of Dickens (in the article): it seems really that we return to former times. The count makes his public announcements through the papers now. Will he use "we" instead of "I" in future? :)
The novel will be a steampunk novel!
Good news in the last sentence: OR will be out in German; the publishing house announces it for March 2012.
All men are islands, influenced by the wind.
Fuck no. There's a large margin between posting a link to every major newspaper that regurgitates his press release and having to decrypt ridiculous twitter messages. It's called Google.
Reading, Which Is Developed In Duration.
or, some entirely unintelligible bits by Jackie D.
1. Does not one lose what counts?
2. Everything that defies a geometrical-mechanical framework — and not only the pieces which cannot be constrained by curves and helices, not only force and quality, which are meaning itself, but also duration that which is pure qualitative heterogeneity within movement —*is reduced to the appearance of the inessential for the sake of this essentialism or teleological structuralism.
3. ... theatrical or novelistic movement ...
4. ... more organicist than topographical ...
5. This aesthetic which neutralizes duration and force as the difference between the acorn and the oak, is not autonomously Proust's or Claudel's. It translates a metaphysics. Proust also calls "time in its pure state" the "atemporal" or the "eternal."
6. The truth of time is not temporal.
7. Analogously (analogously only), time as irreversible succession, is, according to Claudel, only the phenomenon, the epidermis, the surface image of the essential truth of the universe as it is conceived and created by God. This truth has absolute simultaneity.
8. Like God, Claudel, the creator and composer, "has a taste for things that exist together."
9. "Time is manipulated like an accordion, for our pleasure," such that "hours last and days are passed over."
10. "In any event, reading, which is developed in duration".
11. "Similar to a 'painting in movement,' the book is revealed only in successive fragments."
12. "The task of the demanding reader consists in overturning this natural tendency of the book, so that it may present itself in its entirety to the mind's scrutiny. The only complete reading is the one which transforms the book into a simultaneous network of reciprocal relationships: it is then that surprises emerge."
13. (What surprises? How can simultaneity hold surprises in store? Rather, it neutralizes the surprise of nonsimultaneity. Surprises emerge from the dialogue between the simultaneous and the nonsimultaneous.)
14. Simultaneity is the myth of a total reading or description, promoted to the status of a regulatory ideal. ... By saying "simultaneity" instead of space, one attempts to concentrate time instead of forgetting it. "Duration thus takes on the illusory form of a homogeneous milieu, and the union between these two terms, space and duration, is simultaneity, which could be defined as the intersection of time with space."
15. In this demand for the flat and the horizontal, what is intolerable for structuralism is indeed the richness implied by the volume, every element of signification that cannot be spread out into the simultaneity of a form.
16. But is it by chance that the book is, first and foremost, volume?
17. Kafka says, "Writing's lack of independence of the world, its dependence on the maid who tends the fire, on the cat warming itself by the stove; it is even dependent on the poor old human being warming himself by the stove."
18. The inconveniency arising from the enormous bulk of volumes, induced them to make use of only a single figure to signify several things.
We've all been reading these books over the course of years, anyway. This is part of that. This is the same as that. We are always doing (again) what we have (not quite) done.
This is your brain on drugs.
po-m, while I do certainly enjoy the convenience of this information (lit and burned through like a cigarette), I agree with you in full! I wasn't around during the release of OR, and I envy all who got to witness and participate in the release process.
Yeah, but the S.O.B. could sure reason his way out of it.Originally Posted by fearful_syzygy
So the This is Your Library interview was interesting. We got to hear more about Mark's trip to Burning Man: "I dislike heat. I dislike crowds of people. I dislike loud techno music. So I went to Burning Man." We got confirmation that Redwood is a character in The Familiar. Oh, and a chance encounter Mark had with Redwood in the desert. Plus, Mark seemed awfully familiar with pop-up books...
Special non-Familiar bonus revelation: Sewing projects involved with the U.S. Edition of T50YS?
The whole thing will soon be up in Archive format at yowie.com for your viewing pleasure.
Exploration Z
In the voice of Henrietta Pussycat: "Meow meow Danielewski meow, meow Familiar? Meow 27 meow! Meow meow we meow tour meow year."
Google translated version: "Have you heard of Danielewski`s project, The Familiar? It is 27 volumes! We hope we can tour for it next year."
You were there, and we were too.
View footage from MZD appearances @ http://www.youtube.com/user/mzdinfo
Nice! Thanks JT! Redwood as a character? Now that's an interesting spin.
All men are islands, influenced by the wind.
very very. Thanks JT!
.strangeDaYSHaVefoundus
Wow awesome! Thanks for the update JT!
"I have nothing to say and I'm saying it; and that is poetry" - John Cage
Just a further update on JT's promise: the interview is now up at yowie. I can't post links, but it's the first result for the search "Mark Danielewski" . The interview proper starts at about 1h30m.