In the spirit of Stencil's immensely useful thread of threads over at the HoL forum, I've gathered up a list of (Strongly-)Recommended Reading for those new to this forum seeking information and commentary on MZD's 2nd novel.
This is a hasty, haphazardly-arranged gathering, so it's very possible that I may have overlooked a thread you feel is Useful. If so, please nominate it for inclusion in a reply. I'll also be rearranging the categories and adding thumbnail descriptions of the threads' contents.
UPDATE: I've added the threads ModiFIed recommends below, plus still another I'd overlooked. Still other threads are deserving of inclusion and I'll get to them in a day or two, but now I must go and earn a living.
UPDATE II: I've rearranged the categories so as to more closely approximate the order in which various issues/questions might arise.
UPDATE III: I've rearranged the categories (again) and added brief descriptions to accompany those threads whose contents aren't immediately evident from their titles.
UPDATE IV (11/21/2010; 11/30/2010): A long-overdue update here. I've just added two threads; if anyone has further recommendations, please mention them in comments or PM me.
UPDATE V (2/1/2011): I've added two threads and created a new category, "Characters."
READING AND REVIEWING:
How are you reading Only Revolutions?
Alternate methods of reading Only Revolutions.
Tracing (or is it plotting?) OR's ARC
In which some of the ARCers wonder just what our task is as early readers of and post-ers on the novel.
Summary
As of this writing, a work-in-progress, but one worth looking at for those wanting synopses of (early) "chapters" of the novel.
MZD Interviews
"Interviews" here being a noun, not a verb.
". . . academic math . . . "
MZD uses this phrase to describe the critical enterprise that, he says, OR exists beyond. What might he mean? Some of us get out our slide rules to work out a response.
Introduction
Speculation on the publication page and the epigraph "You were there."
Reviewing the reviewers
To help paint a picture of the story in my mind . . .
Visual artist Codename:Odessa solicits suggestions for images the represent thematic elements in the novel.
CONSTRUCTION AND CONSTRUCTEDNESS:
Differences in the ARC and the full release
A Void
A discussion of "writing constraints" in the novel.
The Hidden Things
Color Speculation
Early (pre-ARC) speculation on the possible meanings of the colors.
Concordance
Mirror Writing on Inside Cover
Glitch
A discussion of "mirroring" in the narrative--and some important deviations from the narratives' parallelism.
Offset Letters
Circles/Dots
Just what are those things called, anyway? But. more important, what is/are their function(s) in the text?
The book as object
Some discussion of the idea that, with HoL and OR, MZD wants to force the reader to consider the book as a thing in and of itself and not as merely a passive delivery system for text, and why that might be.
Rhyme/Rhythm/Numbers
Animal/Plant
A charting of and search for correspondences and significance(s) among OR's many plants and animals.
Books, Threading, Stapling and Inside/Inside; a few things Derrida said
Is MZD really "so over" Derrida yet? Splendorr reads some passages from Positions, then himself takes a position via an intertextual reading of OR with HoL.
A story of Symmetry / the Concor-dance
CHARACTERS
The Perpetual Creep
Discussion of The CREEP's function(s) in the narrative.
THE HISTORY GUTTER:
Chronology/Sidebar
The -lines in the history margin
A (very) close look at the Gutter's references to the Kennedy assassination and its immediate aftermath.
Revolution: WWI/Vietnam/CREEP
A focus on the CREEP as symbolic of war, and a look at the corresponding moments in the Gutter.
THEMES:
Introduction
Leftwrist Twists
What the heck are these about? Some of us make some guesses.
Allso many "all" words
Speculation on the significance of the "all" words in OR.
Feer
Discussion of another oddly-spelled word.
The Sex Thread
The Names Thread
Names in Capitals
Revolution: WWI/Vietnam/CREEP
Oh you've got green eyes . . .
Discussion of the significance of eyes in the novel.
Man vs. Nature
"We are at once."
The entirety of OR is in present tense! Did you notice that? What might that fact mean?
Order and Chaos
Hibernian Saffron
A discussion of the function of honey (and, by extension, other excretions) as units of exchange.
A Rose by any Other Name . . .
Early speculation--pre-ARC, in fact--about the meaning of the title. Go and see how right/wrong we were!!
Pathetic Fallacy
The Mountain
A discussion of the meaning of the Mountain which marks the "beginning" and "end" of the novel.
Books, Threading, Stapling and Inside/Inside; a few things Derrida said
OR IN CONTEXT(S):
OR as Old School (Modernism)
A Modernist novel in the postmodern era? OR might in fact be that.
Another OR as old school (vinyl)
In which elmago and others play DJ for the idea that an alternate medium for OR would be 45rpm singles.
Intertextuality--*spoilers* (probably)






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...oops ! Sorry. Great job, John B !







